Showing posts with label February. Show all posts
Showing posts with label February. Show all posts

Monday, February 11, 2013

Nocturne for the Lunar New Year

Continuing the series of abstract paintings on plastic sheeting, this is the latest completion. 


Nocturne 02-13, 30" x 28", oil on plastic sheet, 2013.

For the purposes of this series, I prefer plastic sheeting over canvas. The plastic sheet offers an ultra smooth surface, lacking any form of tooth that canvas has. Whereas on canvas the paint can be dragged with a brush just catching the tooth, the plastic surface picks up every brushstroke. The plastic sheet allows me to scrape away paint more effectively, or I can use a stiff dry brush to scumble through wet paint, to reveal the layers beneath and create delicate subtleties. 

In this painting, there is no representational image to latch onto, nor is there a rational explanation which I expect the view to get. But although abstract, the painting is a record of something.

I suppose the title Nocturne can be considered a reference to James Whistler who often painted scenes with titles similar to musical compositions. When Whistler was questioned by a lawyer who criticized one of his paintings for lacking beauty, Whistler responded, "What is the particular beauty of the picture? I don't think I could make it clear to you, any more than a musician could explain the beauty of a harmony to a person who had no ear."

Happy Lunar New Year, and thanks for viewing.

Monday, February 27, 2012

Why Abstract


February, 24" x 48", oil on canvas, 2012. (Click on image for larger view.)

It is difficult to articulate what makes abstract art attractive. But I think it is because painting does not rely on language. It transcends rationality. Abstract painting communicates without spelling everything out in logical terms.

Some people struggle to accept any type of abstract art as good art and limit themselves to pictures which represent familiar forms, such as people, landscapes, or other recognizable things. But while some paintings which represent recognizable forms can be considered good, others may still be considered bad. These same principles apply to abstract art.

An analogy could be drawn to music: some songs have lyrics which follow linear, logical thought; others have ambiguous lyrics, while still others (instrumentals) have no lyrics at all. Instrumental music still holds the potential to move people even though words don't spell everything out.

Abstract art is somewhat like instrumental music. Although anyone could pick up a brush and paint abstract, so could anyone pick up a guitar and strum an instrumental. Good instrumentals still require musicians to understand and control their instruments. Likewise, in order to create a good abstract painting, an artist is required to understand and control the paint, even if the paint is thrown or dripped on the canvas like Jackson Pollock.

I think perhaps abstract art is susceptible to the cold shoulder because we, as humans, have been trained to use our eyes to make sense of the world. From birth, we are bombarded with visuals on a daily basis and sort through the chaos by placing definitions on what we see or filing this information into familiar categories. We live in a society based on logic and reason.

Society, however, is a human construction and not an entirely truthful representation of life on Earth. Logic and reason do not encompass all experiences of living on this planet. Moreover, our eyes are highly sensitive organs (probably the most complex of our senses) trained to decipher and distinguish between slight differences in color, shade, and tone. Visual art feeds into this and becomes a form of communication through the sense of sight. Abstract art then breaks free of logical constructions, rationality, and the limitations of language - potentially becoming a form of communication on a complex level.

A painting, whether completely abstract or one with recognizable forms, is an object (not an image), with a composition and texture, a relationship of repeating and contrasting elements. In this regard, abstract painting is the same as any other form of painting. It is therefore also true that many bad abstract paintings have been created (I hope mine depicted in this post does not fall into this category, but I leave that to others to determine). That itself is insufficient reason to discount abstract painting altogether.

Painting in general has been around for a long time with a long list of masters. Our standards are high. Abstract painting is relatively young (less than 100 years old) and will eventually form a family of agreed-upon masterful works. No matter what style we consider at this point, the bottom line is: Painting is hard!

February, detail (click on image for larger view):


February, detail (click on image for larger view):


February, detail (click on image for larger view):